Behind the Scenes of Parallel Paths
The Booth Museum sees many temporary exhibitions come and go throughout the year. Many of these exhibitions are even curated in-house, like the newly opened Parallel Paths: The Art of Allan Houser & Harry Jackson. Booth Executive Director Seth Hopkins has been hard at work the last few months pulling together a first-of-its-kind exhibition for the museum, that will delve into the captivating histories and artistic parallels of these two sculptors.
How did the idea for this exhibition come to be?
This exhibition is the culmination of more than 20 years of sporadic research that Hopkins has conducted on these two art world titans, Allan Houser and Harry Jackson. From his earliest exposure to Western art, Hopkins has been captivated by the works of Allan Houser and Harry Jackson. When asked to name the most important sculptors of the contemporary period, he didn’t hesitate, declaring Houser and Jackson as the two most significant Western sculptors since Frederic Remington’s passing in 1909. Both Houser and Jackson broke barriers within the art world and became influential figures in Western art, with their careers spanning different paths that are reflected in the themes and styles of their work.
What does the curation process look like for an exhibition like Parallel Paths?
As with most exhibitions, the process begins with an inventory of what the museum already has. In the case of the Booth Museum, there was a substantial collection of Jackson’s work and a few important pieces by Houser. From there, the next step is to create a “wish list” by poring over books, catalogs, and auction records to identify the most notable pieces the artists ever created. Reality sets in when the list needs to be narrowed down to what can actually be obtained and how much it will cost to safely transport the artwork. Thankfully, both Houser and Jackson’s families have preserved estate collections, allowing the museum to borrow works directly from the artists’ estates. Along with borrowing from the estates, we also borrowed a few selected pieces from friends and members of the Museum to round out the exhibit.
Once the artwork was decided on, the next challenge was organizing logistics, such as ensuring safe transportation and arranging insurance. Alongside this, research efforts intensified to develop the exhibition’s text panels, labels, gallery guides, and tour scripts.
An often overlooked aspect of the curation process is the creation of the exhibition layout. Where should each piece go to create a cohesive and engaging experience for visitors? This process starts with something as simple as a doodle on a piece of paper. Slowly, the layout takes shape, and the flow of the exhibit becomes clearer. To help visualize the final arrangement, a model of the gallery space is created from foam board, and small images of the artwork are placed throughout the model to determine the best configuration.
Pictured: Earliest version of the exhibition layout.
Pictured: Model of gallery.
Parallel Paths: The Art of Allan Houser & Harry Jackson is now on view in the Special Exhibition on the Upper Level of the Booth Western Art Museum, through May 4, 2025. An exclusive Member Opening will occur on Saturday, January 11, 2025 at 4:30 – 7:00 PM, which will include access to a ribbon cutting, reception and panel discussion. The panel discussion will feature Jackson’s oldest son Matt, Houser estate curator David Rettig and Seth Hopkins on the lives, careers and legacies of these two legendary artists.
To learn more about the exhibition, visit www.boothmuseum.org/parallel-paths-the-art-of-allan-houser-harry-jackson/.